Wednesday, 28 November 2012

Representation of women in horror films.


Women are represented in many different ways in films, some might be represented as a victim/ weak character, and some might be represented as the 'scary, villain' element of a movie.

In the movie 'The Exorcism of Emily Rose' the girl is represented as a scary/possessed person. She has had an exorcism performed on her by a priest which adds the religious element.  Emily Rose is a young girl, and often to make movies more scary and more sinister filmmakers use young girls or boys to be the villain, to be the possessed person, or to be the person with a mental illness. Emily Rose is a child so she has that sense of innocence about her, and as you see the link between her and ghosts/spirits in the movie, the viewer feels more emotion towards the character than if the role was played by an older women. In a way the film is made frightening by the fact that the child is a young girl because young girls are stereotypically nice, sweet, and innocent but none of these qualities are shown in film so the viewers would be more interested.

In the movie ‘Psycho’ (1960) there are two main women represented, the first women is the typical women who works as a secretary. She steals money from her employer’s client and runs away with it, subsequently she gets murdered, and she is shown to be the victim in this. This is the stereotypical role we would expect to see from a ‘blonde women’ as they are usually considered to be the weaker characters or even the ‘damsels in distress’. The second woman is an older woman who is quite the opposite to the first women. She is first shown as a motherly, old character who lives with her son, and they both own a motel. Later on in the movie she ends up being shown as the murderer, as she kills any people who do stay at their motel, we never actually see her face so we don’t know what she looks like but from the way she is described we can tell that she has always been like this. In this film there are two very different women who might seem similar to us at first but as the movie progresses we get to know what they are like, and they contradict each other massively.

To conclude i think that there are many different ways in which women might be represented in films, like victim, villain etc, and sometimes the viewer can predict what the characters role might be or how they are going to end up in movie, for example blonde, dumb characters are usually the ones who get killed off first or the victims. But other times , it might not be so easy to guess what a certain character is going to be like in a movie as it might be that the way the character is shown to us at first is not actually how the character ends up to be in the end, for example the mother in Psycho. 

Analysis of 'The Girl with the Dragon Tattoo' opening sequence

In the Opening of 'The Girl With The Dragon Tattoo we first hear non- diegetic sound,with a black screen, this grabs the attention of the viewer. Images and text then begin to flash onto the screen, this is effective as it gives the viewer a feel of what the movie is going to be about, if the images and text had faded into the screen we could have made the assumption that the movie was going to be of a different genre to what a movie with flashing images could be. The viewer sees many different images that at this point don't seem to be of a particular thing, the colours are mainly blacks and greys and we see a black liquid kind of thing which seems to be covering other objects, a kind of suspense and curiosity is created at this point, as the viewer is left wondering what relationship these images have with the rest of the film. Also the colour black could symbolize darkness or danger.
We then see the title of the movie appear on the screen and the black liquid kind of 'hits the words' and covers them up entirely. the sound (non - diegetic) has been playing the entire time, from start till now, and at this point the sound appears to be getting louder. The sound is the 'Immigrant song' by Led Zeppelin.
At this point the viewer can make out the image of a person struggling, also surrounded by the black liquid. The camera seems to be following the black liquid and is going wherever it goes, sometimes there are even point of view shots that make the viewer feel like they are the black liquid and they are the ones surrounding words and on keyboards etc.  We then see fire, which could also symbolize danger, or an element or horror. As the sound speeds up, so do the images as the flash onto and off the screen.

Wednesday, 21 November 2012

Research on Directors.

(Information from Wikipedia)

1. Brian De Palma

Films he has directed:
- Dressed to Kill (1980)
- Scarface (1983)
- The Untouchables (1987)
-Carlito's Way (1993)
- Mission Impossible (1996)

Themes:
- Psychological thrillers ( Dressed to kill)
- Commercial films ( Mission Impossible)

Most of De Palma's films have graphic violence in them, and some of his films, like Scarface, have been at the center of controversy with the 'Motion Picture Association of America, Film critics' and the viewing public.

Camera Shots:
De Palma often uses slow sweeping, panning and tracking shots throughout his films.
To put emphasis on a dramatic scene he often uses a 360-degree camera pan.

Awards:
De Palma has won many awards, some of them include:
- Blue Ribbon Award (best foreign film, 1988)
-Silver Lion (best director, 2007)
-Saturn award (best director, 1981)

2. Tim Burton

Films he directed:
- Alice in wonderland (2010)
- Sweeney Todd: The Demon Barber of Fleet Street
- Sleepy hollow
- Beetlejuice

Camera shots:
Tim Burton uses Dutch angles, Stop-Motion, Point of View shots.

Awards:
Emmy Award - outstanding animated program (Beetlejuice)
National Award of Review award- best director (Sweeney Todd: The Demon Barber of Fleet street)